The Tattered American Flag, Hermosa Beach, CA 2016

The exhibit starts with the image of a Tattered Flag for our country has been viciously ripped apart along class, race, gender, and regional lines, leaving the nation’s democracy threadbare. The photos that follow aim to show our staunch and tenacious elders attempting to mend the frayed Republic.

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Elder Americans and Activism

Stephanie Solomon | California, United States

Elder Americans and Activism

These images of elder activists are from a trove of intergenerational street photos taken in California, Washington D.C., and Alabama from 2015 to 2019. The exhibit shares not only the politics of the elders but aims to combat ageism. While looking to the past, reviewing one’s life, is stereotypically associated with aging, the elders here remain alert to the present and have vivid imaginings for the future as conveyed in the signs they carry. The portraits also show them to be diverse in their individuality. Not just “old.” Yet, the images share a solidarity rooted in the ongoing rights of our beleaguered U.S. Constitution – e.g., the freedom to redress the government with our grievances, and the rights to free speech and assembly. Indeed, these older adults are not hobbled with age but remain agile citizens. Even after a lifetime experiencing this nation’s injustices, hope remains. Now an elder myself, 75, my wish is that the exhibit inspires Americans to stay politically engaged well into old age. Indeed, preserving our democracy for future generations may necessitate this.

Biography

Stephanie Glass Solomon is a Professor Emerita from Antioch University Los Angeles, and a Multi-disciplinary California Artist Activist.

In 2020, Stephanie’s photo Alone Together in the Pandemic finished 2nd in the Aging As Art competition. Her image, titled Zedenka–Holocaust Survivor, was also chosen for exhibition. The award is by the Southern California Council on Aging.

In July 2018, Stephanie received her second photography award from The Puffin Foundation, LTD.This award was given to support a  Foot Soldiers for Justice exhibit at Antioch University Los Angeles.The exhibit, from October to November 2018, was part of a Get-Out-the-Vote campaign. February 2018, images from the collection were shown at the Santa Cruz Art League for the exhibit Spoken & Unspoken. Also in 2018, the video Foot Solders for Justice was shown from a national juried call at the Women’s Caucus for Art Art Speaks! Lend Your Voice, in Santa Monica, CA.

February 23, 2017, images from the collection Foot Soldiers for Justice were on temporary exhibit at the US Department of the Interior National Historic Selma to Montgomery Trail Museum, in Selma, AL. at the foot of the Edmund Pettus Bridge. The work was part of the opening of two new galleries and permanent exhibits in the museum. In the future, images from Foot Soldiers for Justice will travel the two other Historic Trail Museums in Montgomery and Lowndes County. Photos will also be archived by the Museums for future generations. (They are home.)

In 2016, the Foot Soldiers for Justice video was included in the political exhibit “Three Rings and Two Parties; The Election Circus,” at the Wiseman Gallery, on the Rogue Community College campus, Grants Pass, Oregon. Stephanie received her first Puffin Award for Photography for Foot Soldiers Never Die in 2016.

In 2012, she received the Mario Fratti and Fred Newman Award for Political Playwriting for the play Being Moved. In 2010, Stephanie received the Creative and Performing Artists and Writers Fellowship from the American Antiquarian Society for American Voices: Spirit of Revolution. In 2008, she co-wrote and produced American Voices for the Eli and Edythe Broad Stage. It was directed and narrated by Dustin Hoffman, and the chamber orchestra for the oratorio was conducted by Maestro Kent Nagano, who was also the Artistic Director. The cast included Annette Bening, James Cromwell, Rosario Dawson and Nate Parker. In 2005, Stephanie produced Kent Nagano’s Manzanar: An American Story by Philip Kan Gotanda and three prestigious classical composers. That cast included Martin Sheen, Kristi Yamaguchi, and John Cho. The work toured and was performed at UCLA’s Royce Hall, Berkeley’s Zellerbach Hall, and in Santa Cruz at the Pacific Rim Festival. Both Manzanar and American Voices were broadcast on Public Radio. She received a Nathan Cummings Foundation grant for Manzanar in 2003.

Stephanie has also been a jazz/multimedia performer (using the name Stephanie Glass). She toured the U.S. and Canada singing jazz and, in Los Angeles, wrote, produced, and performed the one-woman shows The Liberated Chanteuse and Intimate Illusions. Her multimedia piece, Jazz, Gender and Justice, received a grant from the Cultural Affairs Department, City of Los Angeles, and was presented at the California State University Northridge Performance Arts Center, 2001. Stephanie also performed music from that work at Santa Monica College in 2002. From 2000 to 2003, she received grants, produced, and performed at the Museum of Cultural Diversity in Carson, Ca. as a support to that community enterprise.

Her earlier works, Blue Heaven, for the stage, and the radio play, Moving On, were produced in New York in the 80’s.

On the faculty at Antioch for over 23 years, she served as Chair of the Bachelor of Arts in Liberal Studies Program, taught liberal studies classes, designed programs to bring the arts to Los Angeles communities, and produced works for the Antioch campus including Squeeze Box and Marx in Soho. Among her articles is An Open Letter to Hillary Clinton 2015, published on RSN, and the essay, with C. Armon, Learning and the Good Life: Reconceiving Adult Education for Development, appearing in the book Creativity, Spirituality and Transcendence, Ablex Publishing Co., 2000. She is a recipient of Antioch University’s Distinguished Service Award.

She is also a member of the Dramatists Guild. Stephanie graduated UC Berkeley with a B.A., and later earned an M.S. at the University of Southern California while a Norman Topping Fellow. She then completed an M.A. from the New School for Social Research. She is Phi Beta Kappa.

I am a multi-disciplinary artist activist. I came to photography late, in 2015, when I was in Selma Alabama for the commemorations of Bloody Sunday and the 1965 Voting Rights Act. Since then, I regularly photograph as part of my civic engagement. The exhibit, Elder Americans and Activism, shares street images of older adults from years of my participation in protest and, importantly, the signs carried by the elders speak to a range of issues that many Americans believe should be addressed.

My interest in aging is long-standing. I hold a Master of Science in Gerontology. And as an artist, I have fought against ageism in America since I first learned about the structures that create hardships for older adults, especially older women. In fact, I received an award for a play, Being Moved, about inner-city elderly women and the fight to prevent the demolition of their homes. Now 75, my personal experience as an older woman helps me better understand the pleasures and sorrows of aging.

Hopefully, the viewer will find the beauty that I see in the faces of these elders. After all, as Simon de Beauvoir said in her classic work, The Coming of Age, “Age lives in each of us.”

Stephanieglasssolomon@mac.com

Website: Footsolodiersforjustice.com

Website: Stephaniesolomon.com

Thank you to Dan Harmon and Charlotte Hildebrand for their advice and support.

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