“The Legacy of Black Visual Culture: Celebrating and Defending the Arts”
Collette Fournier | NY, Florida, Mass., United States
Organization: Collette Fournier Photography
Photographer: Collette Fournier
Organization: Collette Fournier Photography
Exhibit Title: “The Legacy of Black Visual Culture: Celebrating and Defending the Arts”
Location: NY, Florida, Mass., United States
Meeting the Moment project, “The Legacy of Black Visual Culture: Celebrating and Defending the Arts” documents a celebration of the Arts and our right as citizens to exhibit the arts and defend the arts. Since our American President’s Inauguration, he has been attacking the arts by defunding grants and challenging our freedom of speech and basic rights. In response, I have applied for arts funding from local organizations who have supported my work. As artists we must continue to create bodies of work and challenge the system. Over 2025 I photographed art activism.
The Nyack St. Fair
Veteran’s photos on a Christmas Tree.
A photo of my artist cousin in deep admiration for a Joe Diggs painting.
Lady Liberty, a selfie in front of the Statue of Liberty.
Inspired Arts program with TV news personality David Navarro as MC.
An Immigrant Child
Haitian Day St. Fair
Chiku Awali Arts
The MET Egyptian Show
Honk to Impeach Protestors
Gallery Talk
Salimah’s Camera
Beuford Smith Memorial
Disability Child
Zora’s Grave
Ellis Island
Distinguished Service Award
Batson’s Pop-Up
COLLETTE V. FOURNIER ARTIST STATEMENT
I am a documentary and fine art photographer. I grew up in the 1960’s in Harlem, Brooklyn and Queens and learned the importance of documenting my
Black/African American experiences from Social Justice and Civil Rights
Movements seen on television, newspapers, magazines and overheard from family conversation. My life and essence are defined by those social movements.
I have been documenting my vision since the age of fourteen. My high school
photography teacher, Mr. Sandi Kleiner suggested that I read Gordon Parks’ soulful book, entitled “A Choice of Weapons” which helped me to explore visual arts careers and consider photography as a viable profession.
Spiritually, I feel that my ancestors have chosen me to share my photographic
imagery, opportunities and reflections documenting each decade as I
go through challenges and successes. I am a people person and interact easily with an intelligent, artistic, and global community. These experiences as a photographer define and speak to my humanity. Many trips to the African Diaspora have confirmed spiritual and historic experiences and a complex need to explore reasons why my people were enslaved and taken from their African communities.
Photographic series and PowerPoint presentations “Faces and Places of West Africa”, “Retrospective: Spirit of A People”, and “Capturing Change: The Legacy of Black Visual Culture” are educational tools for sharing my journey with Colleges, Libraries, Cultural Centers and Photography groups. Mine has been a fascinating journey which combines a love of presentation, teaching interacting through a question and answer session.
Then there is the scientific, thoughtful, creative, fun side of me. That brings out the Fine-art artistry, evidenced in my “Digital Family Series” evolved during Graduate School (2001-2003). I’m from a family of artists and my interests vary.
My archives contain photography of family, artists, friends, writers, portraits,
sororities, fraternities, dance, educators, social activism and justice, prisoners,
African Scholars, military life, The Amistad, city life, Covid, nature, immigration, rallies, Hurricane Katrina, politicians, Black history, church, and children.
For the first time in my visual life, I’ve been studying and performing on the
African Djembe (drum) with Chiku Awali African Dance, Drum, Culture and Artsin which I’ve acquired new physical and mental skills that lend itself to my
creative photography.
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